Archive for the ‘Review’ Category

Lately, the ugly monster haunting hip-hop is its virtual underrepresentation of women behind mics.  Now, if you’re only tuned into your local radio station, yes, you’ll be hard-pressed to hear a female holding shit down outside of Nicki Minaj.  But if you’ve kept your ear to the ground, you should know the name Rapsody pretty well.  Being hailed as one of the best femcees, North Carolina’s own Rapsody has finally dropped her debut EP The Idea Of Beautiful.  Produced largely by her mentor 9th Wonder and the Soul Council (Khrysis, Ka$h, E. Jones, eric g, and Amp), Rapsody incorporates clever wordplay, intricate storytelling, and personal revelations into the Jamla Army sound.

Rapsody clearly has a deep, personal relationship with hip hop, as evidenced by the many subtle and overt odes to the art form.  It’s not uncommon for rappers to personify hip hop, showing love to h.e.r. through dedications and celebratory lyrics.  In “Precious Wings,” Rap comes to hip hop as a sanctuary, an escape from life’s confusions and pain.  “Everyday is pressure, each one feeling like 22/catches, that’s some give and take/and all of if learning, tryna educate myself as I go through it like Lauryn,” she laments.

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Every once in a while, I’ll be struck by a particular sound, a sound that moves my spirit as well as my body. This is exactly what Atlanta-based band Jack Preston & The Dojo have done with their debut LP In The Land Of Wanderers. Sonically enticing, Wanderers feels like a journey into a space of light and everlasting funk. And the instrumentation is just sick! Vocals, keys, guitars, horns, percussion, and strings, every sound is heartfelt, emitting the energy of an eclectic collective. On the track “Find A Way,” the vocalists combine their voices into almost a choral presentation, evoking the spirit of gospel and soul, backed by the fused instrumentation of rock and funk.

The Dojo describes Wanderers as “a melange of sound and genre coming together to dance upon the ear, stimulate the mind, and comfort the soul.” Agreed. The album is worthy of at least one, thorough listen. But please believe, once you’ve experienced the sound, one time won’t nearly be enough.

Check out the album and info on The Dojo’s album release celebration under the cut.

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I recently took some time to check out Ice-T’s directorial debut, Something From Nothing: The Art Of Rap.  The documentary features MCs and producers that have influenced and have been influenced by the genre of hip hop.  Going into the film, my expectations were that of a lover of hip hop, someone who enjoys and respects the art.  I expected the artists to regal us with stories of how they were introduced to rap and the role hip hop has played in their own lives.  In that regard, the film did not disappoint.  From Grandmaster Caz of the Cold Crush Brothers to Rakim to Kanye West to MC Lyte, each artist had a stirring anecdote on their induction into hip hop history.

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Tuesday night one of Atlanta’s hometown heroes blessed The Masquerade with his ghetto gospel.  Killer Mike shut shit down gloriously.  Appropriately so, the Into The Wild Tour kicked off in Atlanta and featured performances from Despot and Mr. Muthafuckin’ eXquire, as well as producer/rapper El-P.  But for me, that night was all about Mike Bigga; he made me “hip hop happy” (word to my dude blctxt for that one!) with his performance.  When I tell you this man has the energy of a cat 1/3 his size, you wouldn’t believe me until you witnessed him jump up over a speaker.  Mike performed most of his new album R.A.P. Music to a packed crowd, feeding off the frenzied energy like a hip hop zombie (too soon?).  He had suburban White kids chanting, “Fuck Reagan” and had way back supporters bouncing to “Kryptonite” like it was 2006.  And what’s “I’m On It” without Mr. Purple Ribbon himself?  Yep, Sir Lucious Leftfoot made an appearance that will surely be added to the Atlanta Hip Hop Archives.

Check out tour dates, video footage, and photos under the cut…

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Big K.R.I.T. just dropped one of the most anticipated mixtapes of 2012.  Hell, probably one of the most anticipated albums, period.  Since his last release, Return of 4Eva, the southern producer and rapper has kept his name in many mouths.  He’s been producing gems for artists such as Smoke Dza, Freddie Gibbs, Ludacris, T.I. and 8Ball & MJG.  His official debut album, Live From the Underground is set to be released some time this year (come on now, Def Jam).  The man has been busy.  Through that extensively busy schedule, K.R.I.T. managed to produce, mix and arrange his own equally substantial mixtape, 4Eva N A Day.  I have to say, quite frankly, it is the shit.

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