Singer/songwriter India Shawn’s latest project, Outer Limits, is a collaborative piece with renowned producer/songwriter/singer James Fauntleroy. Complete with the experimental sounds famously executed by Fauntleroy and his 1500 or Nothin’ crew, Outer Limits plays like a sonic journey through 80s R&B and beyond. Groovy funk synths, introspective but universal lyrics and danceable melodies display the effortless connection between both songwriters.
Tags: All Cows Eat Grass, Boom Bap ATL, Cyhi the Prynce, DJ Tabone, Enclave, Greg Street, House in the Park, India Shawn, Jamal Ahmad, Kai Alce, Outer Limits, Ramon Rawsoul, Scotty ATL, The Basement, The Gathering, The Music Room, The Soul of Jazz Live, Vintage Nation
Every Friday someone asks me, “what’s happ’nin’ this weekend??” This will be the place for you to find out. If you have an event you’d like to submit to be featured, email me with the subject “Event Submission.” I’ll feature it, along with other events happening within the same time frame. If it’s particularly dope, I’ll feature a more detailed write-up of your event.
(Right now, most events featured will be in Atlanta, since that’s my base. I’m open to events country and world-wide though!)
Tags: Atlanta, blctxt contxt, Decisions, Dipp, Huh What, Illastrate, Jade Malas, King I Divine, Venus, Working Class Music Group, Yamin Semali
Every once in a while, I’ve gotta go into hibernation. Just get away from the noise, the saturation, the bad vibes. A cleansing, of sorts. I’m not quite over my respite but I had to resurface to share this with y’all.
Tags: Atlanta, El-P, Killer Mike, RTJ, Run the Jewels, Run the jewels 2, The Masquerade
Run the Jewels is becoming hip hop’s most redemptive act. Unapologetic, brash, witty, and raw, Killer Mike and El-P have created a sound that eclipses mainstream hip hop’s current blueprint of trendy beats and superficial content. The two are ushering in a model of varied experimentation with their lyrics and El-P’s production. RTJ recently dropped their sophomore album and the response has been outstanding. Murals, super
fans supporters, and their own trill hand sign complement the movement these guys are creating all over the country. I went to their sold out show in Atlanta at the Masquerade a few nights ago and it was one of the most high energy performances I’ve experienced this year.
The space was packed full of wild, raucous Run the Jewels fans. Once Mike and El hit the stage, along with their DJ Trackstar, it was over an hour of moshing, jumping and ‘bow throwing in the crowd. Which is exactly what Run the Jewels is all about: cutting up, letting loose, giving not a nan one fuck, then going back to your 9-5 gig and home to your babies. But these dudes aren’t just wilin’ out. In a (unfairly) rare display of masculine affection, the homies took the time to acknowledge a collaboration that’s blossomed into a true friendship. The product of that friendship was grandly displayed on that stage through their complementary rhyming styles and their engagement of the audience. Never a waning moment, the crowd went stupid when Big Boi came out for “Banana Clipper.” Unfortunately, his mic sabotaged his appearance and we heard no bars. His face in the place was good enough for most though.
Along with “Banana Clipper,” the guys pulled damn near all of their two album discography out, including “Sea Legs,” “Blockbuster Night,” “36” Chain,” “Lie, Cheat, Steal,” and still some more.
Moral of this story: if Run the Jewels comes banging through your city this year and next, you would be a damn fool not to check them out.
Tags: Abyss, Arablak, Damaja D, Divided Time, Ekundayo, Jawz of Life, mikeflo, Plaza Theatre, Snub Zero, Stanza, Supastition, Will Feagins Jr
Images of Black single mothers and daddyless Black children are constantly saturating our media outlets. We’ve heard the narrative for so long that we begin to perpetuate this thought and go along with the misrepresentation. Hip hop is very much a deep thread in the Black community, woven in many facets of our daily lives. As a male-dominated industry, we rarely hear the stories of these men being fathers, along with rappers, producers and students of the hip hop game. Will Feagins Jr. means to steer the conversation and the narrative to a topic that is seldom discussed in a mainstream platform. Divided Time highlights the fatherhoods of independent artists Abyss, Arablak, Damaja D, Ekundayo, Jawz of Life, mikeflo, Snub Zero, Stanza, and Supastition. The men discuss their relationships with their children, the hard choices they’ve made balancing their music dreams and building their families, the examples of fatherhood they witnessed growing up, and what hip hop means to them as parents.